Showing posts with label JSA. Show all posts
Showing posts with label JSA. Show all posts

Sunday, March 23, 2014

Seven takes on seven tales

So, in 2010, just before the "Nu52" reboot, when DC still had its laundry-detergent logo, they apparently put out a bunch of what would have been called specials or annuals back in the day and branded them as "One Shot" comics. Most of what I grabbed during my Spring Break Bargain Bin Bonanza came from this group of comics.

The first is a Justice Society 80-page Giant offering "7 Tales of the JSA" - so here are seven responses to the comic.


1. Comics have lost the practice of providing recaps for new readers. I don't read mainstream superhero comics regularly, and although I have been familiar with the DC Universe for 45 years or more, I was still lost much of the time I was reading this. There were no thumbnail histories of the characters to introduce each story - heck, in some stories the character aren't even called by name. If you don't know who they are, you'll never learn from the comic.

I mean, I am pretty sure Jesse Quick is Johnny Quick's kid (with Liberty Belle?). But Wildcat has a son who can turn into a half-cat/half-human? And I might guess that Sand, who looks like an updated Sandman, is Sandy the Golden Boy all grown up - but I'd be guessing.

And as for this Cyclone person:

She's supposed to remind us of the Wizard of Oz, right? 

I have no idea who that is. Sheesh.

2. This One-Shot seems like a "very special episode" collection of JSA stories. Here's the run-down of stars and "villains":

Obsidian: No villain except in flashback; the talks about his struggles with abuse and alcoholism as he applies to adopt a child with his same-sex partner.

Jesse Quick: Helps a woman escape from her abusive husband.

Mr. Terrific: Intervenes in the life of the drunk driver who killed his wife and who abuses his own wife.

Stargirl and Cyclone: Help prevent a teen suicide.

Sand: Kills a cop who is beating a woman, possibly his own wife.

Wildcat: Fights a sorcerer and along the way resolves some relationship issues with his son (whose name I never got).

Dr. Fate: Goes to the afterlife to help a man who commits suicide after his wife dies of cancer.

That the stories are used to comment on social issues and concerns is not in itself striking to me; that this focus is never mentioned anywhere in the magazine is.

3. Art sure is a matter of taste. This magazine had some stuff that I really dug, and some that just did not work for me. Here's some cool stuff:

I love how the reader's eye is lead along the speed lines in this sequence.

But taste aside, the art changes could be a bit jarring. Many of the stories began with no splash page or title panel, and they all began on the right-hand side of the spine, so it often seemed for a moment as if the one story was continuing, but with some weird change in the visuals.

4. Speaking of art: I really must be out of touch: most of the artists (and writers, for that matter) were unfamiliar names to me, and everybody reminded me of someone else.

5. This 80-page Giant had 70 pages of JSA stuff, a five-page Superman*Earth One preview, and a text page, for 76 pages total counting all that. To get to 80, you have to count the four pages of ads. But I just checked the 80-page JLA #48 from 1966 and they counted ad pages and the letter column in that, too, so I guess that's not new.

6. To account just for inflation, that 25-cent issue of JLA from 1966 should have cost $1.68 in 2010. The cover price was $5.99. I got it for a buck, so I guess I made out.

7. Overall: I'll give this a solid six out of seven.